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call: soundart for SoundLAB VI

September 4, 2008 at 10:03 am · Filed under calls: internal, soundart

Call for proposals
extended deadline 31 December 2008

SoundLAB - sonic art project environments
http://soundlab.newmediafest.org
is happy to launch the call for its next edition, entitled:

SoundLAB VI - soundPOOL
sound compositions - a challenge for imagination

In 2004, SoundLAB was launched as a corporate part of the global networking project [R][R][F]200x—>XP - http://rrf200x.newmediafest.org
on occasion of BEAP - Biennale of Electronic Art Perth/Australia 2004
but started soon also acting individually as an environment for sonic art.

Edition IV was launched in October 2006 under the title
“memoryscapes” - incorporating 144 artists and 235 soundart pieces
dealing with “memory and identity” in most different ways,
and it became corporate part of the media art show
://selfportrait - a show for Bethlehem - a show for Peace
http://self.engad.org - presented in Palestine, Poland, Italy and Argentina, as an individual project it participated 2007 in FILE Hipersonica Sao Paulo
and FILE Rio 2008.

Edition V - soundSTORY - sound as a tool for story telling
was launched 2007 in the framework of NewMediaFest2007
presented online and on Int. Digital Art Festival Rosario/Argentina 2007 and
DIGITAL MEDIA 2008 Valencia/Spain

SoundLAB Editions I - V - can be visited on http://soundlab.newmediafest.org

For its 6th edition, planned to be launched in March 2009, SoundLAB would like to demonstrate the power of sound as a tool for artistic creations, and is therefore looking for soundart works, or more precise, sound compositions which represent a real challenge for human imagination.

___________________________________________
Please download regulations and entry form as PDF

Regulations for
sound compositions to be submitted

1. Theme: soundPOOL - sound compositions a challenge for imagination
2.. one single piece of soundart may be submitted
3. exclusive soundformat: mp3
4. duration: minimum 3 min, maximum 15 min
5. each submission has to accompanied by an artists statement
about the creation of the sound work, used tools & concepts
6. the artist/author keeps all rights on the submitted soundwork and statement
7. the work to be submitted has to be posted on a webpage for download,
including artist bio and statement
7a. –> if no own website is available, alternatively the film can be submitted via an upload/download service, for instance, SENDSPACE - www.sendspace.com - a free service, after upload send the link, and CologneOFF downloads the film then.
8. the complete entry form including the requested info material
has to be submitted via email

___________________________________________
Entry form
___________________________________________

artist/author

full name
email
URL
short biography/CV (not more than 300 words in English)

Work

title (one work only)
year
duration
URL for download
statement (no more than 1000 words in English)
.
Confirmation/authorization:
The submitter declares and confirms
that he/she is holding all author’s rights
and gives permission to include the submitted work
in “Soundlab” until revoke.
Signed by (submitter)
___________________________________________

Please cut and paste this form and send the complete submission, including artist bio and statement in plain email, RTF file format or WORD. doc

to
soundlab@newmediafest.org
subject: Soundlab edition VI
.

extended deadline: 31 December 2008
___________________________________________
Please download regulations and entry form as PDF

___________________________________________

Released by
NetEX - networked experience
http://nmartproject.net/netex
powered by
[NewMediaArtProjectNetwork]:||cologne
www.nmartproject.net -
the experimental platform for art and New Media
operating from Cologne/Germany.
.
info& contact
info (at) nmartproject.net

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23 Comments »

labdag hind wrote @ February 28th, 2008 at 9:41 pm

Sir Einstein thinks that the most essential is to be advanced by one day and not to be intellectually superior’ . I think that guessing is better than observing .
and consiuosness is a response to the event so Benrouz logics is very critical throughout his work his book ‘ the new intellect of the soveirgn ‘ -le professeur Benrouz enseignait la mécanique quantique un membre de l’université Oxford et son idée c’était de tracer une rationnalisation quantique de la conscience , celle-ci est un phénomene à quantifier la publication de son livre ‘ le nouveau cerveau de l’empreur ‘ le plus populaire fut en 1939 .
immaginig appeals to rationnal intelligence it is the power of guessing and reflects our critical reaction towards phenomenons .
Even modern states logics tends to rationalize the future because human science is sensible to -l’imprévision donc par les aléas .
I took some readingssome United nation plaza seminars , more precisely Boris Gryos seminar ‘after the red square ‘ .
B Groys is mathematician philosoipher , c’est un mathématicien philosophe de formation precised that the market in its relationgship with art should be critcal . it is not serouis unless he becomes critical that reminds me my reflexions about concet critics that means revolution like so many revolutionist sights the ome of Sir Eistein relativism where reasoning about motion and time are hysterical what i call a critical reasoning that really appeals to the rational sight of thinking , the revolution of THE Internet virtual quantities -since it has been possible to measure time with a precision of 1/1000000000 second .
there are some scientic reasoning that appeal to noting but critical reasoning so immagination .
I ve been working on philolosophy and it is my great passion among so many intellectual activities and i deduced that philosophy of symbole and the one of the event are very flexible with so many secrets of existence throughout works of so many terribly genius scientists .
I think art has to be critical and Kant beleived that there is an artistic reality different from the one of our environment the one the envirnment genarate
we extst in our immagination so many times i mean in the philosophical immagination and in reality once , the originality of our genetic nature and the rules that govern the univers ,existence of things in nature is direct and fefinit .
the motion relies on an algorithmic system as far as time is concerned and it is D Zweil’s logics by respect of the intellecual property law .
immagination is fundamental and substantial so that scientiscts and artists discover the anarchic and pluralist word but Art is sensible to esthetics to its beauty and mathematical sciences seems to be much more rationnal and requier neutrality and objectivity but there are so many bright intellects that work to applicat mathematical methodologies on social sciences .la scientificité des sciences sociales et humaines .
B Groys thinks that the market is innexist in the period of socialism because his logics is not critical enought what justifie that art and art market flourished more in liberalism logics taking into consideration the evolution of the market tradition troughout history .
I will be delighted to participate i am very interested into the topic of immagination it takes its imoptance from the power of critical reasoning the determinism of the relatif being knwoning that there is a determinisme to wich we are very weak the one of the absolut the ideal the very perfect the one of the eternal reality .

nikola šafarić wrote @ March 8th, 2008 at 12:13 pm

A well-known Croatian sculptor once said:
” I don’t understand the word “inspiration”..i know only for immagination and hard work.”
i think it is obvious (more or less) that immagination is a powerfull fuel, and ratio is a factory of wide realilty, in which we all do participat.
consciously (less) or unconsciously (more).

Life - a challenge for imagination.

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